![]() ![]() McLemore’s suicide, revealed at the end of the second episode, is the true impetus for S-Town-“that was really the bulk of the story that we wanted to tell, what took place after that,” Snyder says. “The paranoia and the sort of quick belief that a murder had taken place is something we started seeing a lot more of,” says Snyder. “He was saying, 'do you think this guy is a crank?' ”Īnd the belief that the murder and the cover-up had happened-shared not just by McLemore but by multiple residents of “Shittown”-spoke to the spirit of the place. “He wasn’t saying, ‘This isn’t just a crank,’ ” Snyder recalls. At the time, Snyder says, neither she nor Reed were sure there was anything to it. McLemore, a resident of Woodstock, Alabama, who wanted Reed to investigate a murder that he believed had been covered up. The story begins when Brian Reed-like Snyder, a producer on This American Life-starts talking to John B. S-Town isn’t necessarily the kind of show that would inspire that kind of theorizing, though you might think otherwise at first. ![]() ![]() The story itself demanded that approach, as producer Julie Snyder puts it-if Serial was like an addictive prestige TV show, S-Town "is more like a novel," the kind of thing you want to approach at your own pace.īut was the frenzy around Serial, which prompted elaborate Reddit theories and intense speculation in the weeks between its episodes, also part of the reason her team wanted to get S-Town out there all at once? “Absolutely,” Snyder told Vanity Fair in a phone call Thursday. S-Town, the new podcast from the people who brought you Serial, launched this week in a way no high-profile podcast has done before: with all seven episodes available at once. ![]()
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